I've built a compressor basing on the all-in-one chip THAT4301. It works well. But I'm still not happy because of the electrolytic capacitor I used in the signal path. My design was based on the reference design of THAT corporation: enter image description here

The capacitor above is a polarized type. The signal is not biased before. As far as I know, this is a bad use. I also verified my concerns with a simulation. If the signal really containts a negative DC (which this cap tries to avoid) the cap would/should fail or blow.

So I want to replace it with a polarized type. However there is not really a good/small capacitor with such a high value, so I also would like to decrease its value. My circuit works with 10u and I cannot detect any cutoffs in the LF-Response. Still a big cap in the signal path.

I cannot calculate properly the value of this AC-coupling cap because I cannot find the input impedance of VCA (Voltage controlled amp) in the datasheet.


  1. 47u would be necessary to pass a 10Hz-AC-Signal if the load had 330 Ohm input impedance! Isn't this freaking low? Can anybody read the input impedance out of the other values in the datasheet?

  2. Why are they recommend a polarized capacitor for a non-biased input? I've seen this also in wikipedia (also frequently mentioned here).

enter image description here

  1. What kind of possibilities do I have to avoid such big AC-coupling capacitors in the signal path?
  • 1
    Would you be happy with a non-polarized electrolytic capacitor? When I search for one in Digikey (47 uF, Active, In Stock) I get 84 results. – calcium3000 Aug 19 at 13:50
  • I would be happier, but not happy. (Because my main problem is to use such a big capacitance in the signal path. – Caniko Aug 19 at 13:54
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    so the question isn't so much electrolytic BUT the value in Farads – JonRB Aug 19 at 14:26
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    Infact I believe you're overthinking the influence of capacitor. There is absolutely nothing wrong or tricky in having a big capacitor in the audio signal chain unless you're whitch hunting. – carloc Aug 19 at 15:18
  • @carloc - Electrolytics do have a reputation for being noisy. How deserved this reputation is (especially now vs 50 years ago) I don't know. – Hot Licks Aug 19 at 21:37

The input is virtual earth (It is basically the inverting input of an opamp buffer, so the time constant is defined by R1 or R6 depending on the channel.

I would possibly use a non polar part there, but really the trick with electrolytic caps as DC blocks is to make them large, a cap forming a pole way below the audio band has by definition little signal voltage dropped across it and thus contributes negligible distortion. Obviously a cap forming a pole in a filter network (Something like a passive crossover) has issues, but for small signal DC block a non polar elco is generally fine.

There is a LOT of crap talked about capacitors, and it IS possible to use the wrong ones in the wrong applications, but a non polar elco there will do just fine in practice.

C. Bateman did the classic work on this stuff back in the day in a series of articles in E&WW, well worth tracking down.

It's a virtual ground. The datasheet says:

As mentioned in the section on theory, the VCA input pin is a virtual ground with negative feedback provided internally. An input resistor (R1 , 20k\$\Omega\$) is required to convert the ac input voltage to a current within the linear range of the 4301.

A small amount of reverse voltage is just fine on a regular polarized wet electrolytic capacitor; it won't "blow" with a few hundred mV of reverse voltage. There is an anodic film on the opposing electrode, it just isn't as thick.

You can replace it with a film capacitor of equivalent capacitance if you really want- it will be very bulky and will cost a lot of money. For example Kemet R60DR54705050K (photo from Digikey):

enter image description here

Or you could use a multilayer ceramic capacitor with a reasonable dielectric (eg. X7R or X5R, you can't get NP0 in that size realistically), eg. TDK C5750X5R1C476M230KA which would be relatively small and somewhat cheaper but there might be concerns about introducing a microphonic part in the signal path.

Alternatively you could (say) use an input voltage 10x higher and increase R1 to 200K, and reduce C1 to 4.7uF, which is a relatively reasonable size for a film cap.

But I would suggest just using the inexpensive and perfectly suitable 47uF polarized electrolytic cap the manufacturer recommends.

You probably want something that behaves reasonably linearly- while the capacitor won't have any effect on audible signals when the cutoff frequency is chosen properly, if there are sub-audible frequencies present near the cutoff the harmonics could be audible. That would tend to point against ceramic caps, which have a large voltage coefficient. Film and electrolytic caps are fine.

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