2
\$\begingroup\$

Main question: Can I use a lot of cheap microphones off digikey and combine the signals somehow and will this make it sound like a higher-end mic?

How do you shop for a microphone: what specs are important in judging how "good" the mic will be?

Any experiences with microphones? What did you find out regarding the above? Thanks.

I will be sampling audio at 44 KHz approx and also transmitting it lossless. This will probably be important in deciding whether or not I need a more expensive mic.

\$\endgroup\$
5
  • \$\begingroup\$ Found Optoacoustics company that makes fiber-optic mics. How much do these cost, anyone? Sent them an email.... \$\endgroup\$ Commented Feb 1, 2014 at 21:05
  • \$\begingroup\$ "if your question … and it is not about a shopping or buying recommendation" If you remove the "where can I buy" part and focus only on "Can I improve signal quality by using an array of low-cost microphones?" then it would be an allowed question. \$\endgroup\$
    – Ben Voigt
    Commented Feb 1, 2014 at 21:14
  • \$\begingroup\$ Buy Rode or Sony microphones - they work great on my acoustic guitar and my voice even though it's me singing!! Don't mess around trying to re-invent the wheel just to save a few dollars. If you're serious about your music follow good advice. Sampling at 44kHz has no bearing on answers I believe. The internal electric components (such as JFET amplifier) of a microphone have very little bearing on the quality. \$\endgroup\$
    – Andy aka
    Commented Feb 1, 2014 at 21:18
  • \$\begingroup\$ Thanks for the comments. @Andyaka so you suggest I provide a jack for a fancier mic that the user can buy? \$\endgroup\$ Commented Feb 1, 2014 at 21:24
  • \$\begingroup\$ @EnjoysMath I don't understand your question - what user? I use balanced XLR for my mic (not a jack aka 1/4" guitar thing) but XLR may be called a jack outside the UK \$\endgroup\$
    – Andy aka
    Commented Feb 1, 2014 at 23:30

1 Answer 1

2
\$\begingroup\$

The key aspects of high-quality microphones include:

  • Frequency Response: In many cases flatter is better, but many high-end microphones are selected for particular applications precisely because their responses are not flat. They might have just the right amount of high-end or low-end rolloff, or have a midrange boost in just the right place.
  • Pickup Pattern: You have a choice of pickup patterns ranging from omnidirectional, to figure-8, to cardioids and super-cardioids. For the non-omnis, the off-axis frequency response can vary quite a bit from design to design. Again, this makes different microphones better for different situations.
  • Sensitivity and Dynamic Range: It's difficult to produce a microphone that has good sensitivity for soft sounds while also having the robustness to handle loud ones. You'll use different models depending on the type of sound you're expecting.
  • Noise: Especially if a microphone has an active preamp, the noise floor can become the limiting factor on the dynamic range.
  • Physical Robustness: You wouldn't take your best studio microphone and give it to a singer to hand-hold in a live concert.

It would be difficult to achieve good scores in all of these areas with an array of cheap microphone cartidges, for a number of reasons.

\$\endgroup\$

Your Answer

By clicking “Post Your Answer”, you agree to our terms of service and acknowledge you have read our privacy policy.

Not the answer you're looking for? Browse other questions tagged or ask your own question.