The days of home stereo sets have probably been over for a decade or two, but I suggest that you take inspiration from the blockwise structuring of those signal chains. An important interface was the "line level" between a preamp + tone controls block, and the power amp (PA) block. This "line level" was something like 1 Volt AC. In practice, ancient stereos were working with a line level more like 300 mV, while more recent models were up to maybe 5V AC line level. But, let's say that the PA can work with up to 1V AC input and has a couple dozen kiloOhms of input impedance.
In your preamp and tone controls stages, you need to have enough voltage gain to reach the "line level".
In the PA, you need enough voltage gain and current gain to drive an electrodynamic speaker (4-8 Ohms) to the Watts you envisage :-) If you know the peak Watts desired and the Ohms of your speakers, you can calculate peak voltage (AC RMS). Multiply by approx. two, to get the DC rail voltage, required for a class AB power stage to achieve your desired wattage - and, you will need two such rails (+ and - , relative to your common ground) or a setup where your speaker is bridge-tied between two output "totems".
To get some practical schematics of a PA block, I suggest that you use google images.
Most of the PA schematics that you'll find are going to be class AB = two output linear transistors, one pulling up, the other one pulling down, with some non-zero quiescent current "in the middle point".
In those schematics of a PA block, you can typically identify three inner stages:
an input stage - typically a proper diff input based on a long-tailed pair
a voltage gain stage - such as a single common-emitter BJT
the output buffer stage - typically a cascade of common collector BJT's (or darlington pairs). You can speak about a driver sub-stage and the very output power substage (the totem). This whole buffer stage has a voltage gain lower than 1, but provides a significant current gain - to be able to drive a speaker that has just a few Ohms of nominal impedance.
The PA block typically uses an inner negative feedback - to set a fixed and manageable gain, to minimize distortion, to achieve reproducible overall parameters in manufacturing etc. The negative feedback is why you need a differential input in the PA block.
Recommended reading to initiate you gently into some typical circuit building blocks: Hans Camenzind - Designing Analog Chips . The book is available online in PDF for free. Feel free to skip the parts on silicon doping and etching, and go straight to the circuit topologies. IIRC there is something on the long-tailed pair, the current mirror, a constant current source, a very simple op-amp (and much more). It's a follow-up to the "transistor amplifiers 101" (common emitter, common collector, common base).